Extraordinary news | Flixton mesolithic landscape for sale

Dear Microburins,

ForSaleExtraordinary news from the Star Carr project team (University of York) is that part of the Vale of Pickering, containing Upper Palaeolithic and Mesolithic wetland archaeology, is on the market for £550,000 or as four lots* – see the links and image below.

*Lots 3 (£125,000, 25 acres) and 4 (£305,000, 61 acres) contain Flixton Island and No Name Hill respectively.

The pasture, under a short-term stewardship agreement, is the location of Flixton Island and No Name Hill which were indeed islands in the post-glacial palaeo-lake Flixton. This is a beautiful landscape and wildlife habitat sitting between the Yorkshire Wolds and North York Moors in an area where tourism is a major economic component. Recent excavations have proven organic preservation under surviving peat that includes a horse butchery site and several Early Mesolithic activity areas. As the project team point out, the risk is that the future owner or owners will not be sympathetic to this special archaeological resource and that, at the end of the stewardship cycle which brings in a modest annual income, agricultural practices may revert to arable, destructive activities. I do note that the archaeological assets are hardly mentioned in the PDF brochure and that only the nearby Star Carr is an archaeological scheduled area – and rapidly drying out.

Flixton-landsale

Microburin comment

Is there any hope that the partnership capabilities of charitable organisations, perhaps with sympathies from national and governmental bodies, might come together in order to purchase the land and secure it for the broader public? The Vale of Pickering is a rich natural (if managed) resource as evangelised by the likes of the Carrs Wetland Project. £550,000 is a modest sum in terms of Heritage Lottery and land management initiatives that receive support. Indeed, compare with the considerable sums raised to rescue treasure trove finds in recent years and the success of crowd-sourcing projects that enable public access to heritage, nature and learning. The Crosby Garret Roman parade helmet sold, regrettably, to a private bidder for £2.3M and yet the Tullie House Museum was able to raise £1.7M in an attempt to secure it. £0.55M seems less daunting?

StarCarrReconWould the very special habitat – and its development as a public asset – not garner the interest of the National Trust and RSPB? After all, they also bring the relevant land management expertise and oversight to conserve complex living landscapes? Is a campaign out of the question?

There is already a Vale of Pickering Trust that supports the archaeological ventures and has done so for many years – so is the coordination vehicle already there?

If only I had the savings, I’d jump at this in a second: more lottery tickets I guess!

Stop Press – Nature offers a great ROI!

Just published today by Natural England, a new report demonstrates the value for money delivered by investing in the natural environment – wetland habitats being an important one – including carbon storage, resilience to climate change, health and well-being, and attractiveness to future investment, tourism and recreation.

“The Monitor of Engagement with the Natural Environment survey demonstrates that in 2012-13, 2.85 billion visits were made to the natural environment with expenditure totalling from £17.6 – £24.5 billion.”

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Yorkshire 9000BC | Fly around Mesolithic Lake Flixton : experience the sounds

Hello Microburins,

Yorkshire9000BC_VimeoHere’s a great short video fly-through the Mesolithic landscape of Lake Flixton, Vale of Pickering, North Yorkshire, England. Ongoing excavations at Star Carr and Flixton Island are the current manifestation of research since the 1950s. This CGI video incorporates  recordings of what the the post-glacial landscape may have sounded like 11,000 years ago, when hunter-gatherers shared their environment with wild ox, bears, beavers, horses, boar, wolves and a hazelnut or two.

“The model is based on pollen cores and archaeological excavations (including the currently active ones). It was created for the Yorkshire Museum’s new ‘Prehistoric Yorkshire’ exhibition in partnership with members of the Star Carr Project at the University of York Department of Archaeology. Sound design is by Jon Hughes.”

Watch and listen now (1m 35s, silent intro) »

Related stuff

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Sneak Peek | Star Carr Exhibition Yorkshire Museum | Mesolithic

Warning | If you don’t want to preview some of the exhibition, don’t click on the images.
Photographs by microburin with kind permission of the Yorkshire Museum (quality subject to lighting conditions and excitement).

4sevenTwitterIn an earlier post I wrote in anticipation of the After The Ice exhibition at the Yorkshire Museum, York, England. Open until May 2014, the exhibition presents some of the outstanding Early Mesolithic artefacts that haven’t been on display in Yorkshire since the redesign of the Rotunda Museum, Scarborough—which now focuses on the outstanding palaeontology (fossil) collections. Other Star Carr artefacts and ecofacts, dating to between 9300 and 8400 BC, appear in the Museum of Archaeology in Cambridge (University) and (occasionally) at the British Museum—much more remains in stores.

Appreciating that not all readers will be able to make it to York to see the exhibition, and yet not wanting to be a “spoiler” for those that will, here’s a sneak peek at some of the display. Everybody will have their own individual sense of expectation, their own views and take-aways having seen the exhibits and, hopefully, reading the accompanying booklet. It’s a bit tricky to find in the museum bookshop so you may have to ask.

Stone age Tsunami

4OD_TTS_TsuIn an unusual clustering of Mesolithic events, Channel 4 (UK) broadcast a long-awaited Time Team Special—Britain’s Stone Age Tsunami—hosted by the inimitable Tony Robinson and featuring the excavations at Star Carr (and Prof Nicky Milner in a deckchair) as well as looking at the 6100 BC tsunami evidence from the Scottish east coast and at sea level rise attested by the submerged forests in the Severn estuary (Wales). The programme, with excellent CGI graphics, is available to watch online on 4OD until 28 June (47min, UK & Rep of Ireland only) | Watch it now »

Acoustic Experience

hanss_mesowomenI’m not sure whether it was a one-off or it will be a regular feature, but when I showed up on a misty (we call it fret—fine mizzle), damp weekday the team were experimenting with an acoustic installation on the lawns in front of the museum. Thanks to archaeologist Ben Elliot and sound artist Jon Hughes for explaining it. Standing at the centre of a 30m circle of high-definition speakers one could experience “sounds of the mesolithic”. It was extraordinary: flint knapping, wild fowl, a wild boar being hunted (not dissimilar to a January Sales rush) and more. We chatted about the absence of human voices, but the team are thinking about how best this might be incorporated. For example, what language would one use? Would a rhythmic “dance” or distant “babble” inject the people into the wildscape? I do hope they try something—this really adds a special dimension to the museum’s offering in a similar way to the Scandinavian banter at the Jorvik Viking museum.

Image credit (above): hans s | Foter | CC-BY-ND

Preview Images

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Image Key

  • Top | L: kids loved the semi-tepee though I didn’t see anybody wearing the furry capes, but I did see some children outside with fantastic home-made card antler frontlets; C: red deer antlers showing groove & splinter technique where thin strips of antler were removed with flint burins, and some barbed points; R: various bone macro-tools, some hafted.
  • Middle | L: aurochs skull (massive wild ox, three times the size of a modern cow); C: barbed points (there are 191 in total) and flint tools, top right are flint nodules (beach pebbles) and a stone fabricator/hammer although most flint was worked with antler soft hammers; R: fire-heated stones used to boil water and slow-cook, with examples of fungus at the bottom, slow-burning/glowing, portable fire-starters.
  • Bottom | L: one of the 21 red deer stag antler “frontlets”; C: an amber “thingy” on the left derived from Baltic deposits and sometimes washed up on the Yorkshire coast, and some “red ochre” (iron oxide) used as a pigment; R: shale beads perforated using flints, and two bird bone beads top right.

Microburin

Digging Seamer Carr 1985-6 | A few Mesolithic Memories of VP85

Seamer Carr 1985I came across these old pictures, showing their age a bit (and mine), from the excavations at Seamer Carr, not far from Star Carr in the Vale of Pickering, North Yorkshire.

Located in the path of a whiffy landfill (or more accurately “floating on peat”) site, the open area excavation was part of a bigger environmental project to reveal the extent of post-glacial Lake Pickering (more properly Lake Flixton), on which Star Carr is but one of now many Early and Late Mesolithic activity areas. I like the later stuff most, and at least one microlith array is known (i.e. an arrowhead configuration).

scan0010I was a volunteer under-grad at Durham (1984-7) and when not digging on the North York Moors, East Yorkshire or Poland, recording Anglo-Saxon churches in Tynedale or cataloguing Roman Samian Ware in the Old Fulling Museum attic, I squelched at Seamer Carr and in a few 1x1s at Star Carr.

It rained every day except one. It was one of the coldest summers on record. A force 9 gale laid every tent to waste despite 4 foot stakes—I slept in dad’s car in year 2 and learnt a thing or two about shift gears. We shan’t talk about the Elsan loos, nor about blue not being my favourite colour anymore.

scan0011   scan0009

However, we all delighted in warm team spirit, hot tea, weekly showers, Helen Patterson’s wonderful cuisine, Schadla-Hall dry wit, Ed Cloutman’s auger, fine Yorkshire beer, and laughs at the expense of the last person to be submerged to the waist, or higher, in the sump pit—”soak away” would not be accurate. The lithics were fine (very few on the spoil heap), dead horses emerged (well, one) and a bit of antler at “the other place”. Great memories, dried out, like the peat.

Microburin

After the Ice | Major Star Carr exhibition opens at Yorkshire Museum | Mesolithic

Updated 24 May 2013

Star Carr new excavations 2010Coinciding with the publication of a new popular book, the Yorkshire Museum is hosting a major exhibition of artefacts and interpretations of the UK’s most famous and finds-rich Mesolithic landscape at Star Carr in Yorkshire, England. The exhibition is open from 24 May 2013 for a year and is widely covered in the archaeological and regional media.

Bringing together the artefacts previously scattered across many museums and repositories since Clark’s excavations in the 1950s, the exhibition aims to present the most recent investigations in context—the landscape, the re-colonisation of Britain (or expansion of the late Glacial “epi-Palaeolithic” long-blade communities such as those at Creswell Crags in Derbyshire), the environmental transformations, human beliefs, behaviours, mobility and the material culture that give hints to a complex hunter-gatherer-fisher society. These were modern humans, just like us.

On Thu 30 May 8pm there will also be a UK television Time Team special on Star Carr (Channel 4).

Acid Attack

IMG_4349Current archaeological research and interventions in the eastern Vale of Pickering, recently under the leadership of York and Manchester Universities, acknowledge the very short remaining lifespan of previously waterlogged organic remains. What were hard, crisp and tangible testaments to Mesolithic lifestyles—barbed points, supposed “head-dresses”, the working of antler, bone and wood, shale beads, birch rolls and more—are now feeble ghosts of their former selves, if they survive at all in the peat. Drainage and agricultural activities have desiccated and acidified the waterlogged matrix: it often has the pH of stomach acid today.

Image | Star Carr excavations 2010 (Microburin)

Where did they go?

StarCarrReconOn the other hand, fieldwork since the 1980s and more recently has proven that Star Carr and the Early Mesolithic lakeside activity areas were far more extensive than previously thought, at around 9000 cal BC. Hoof prints from undomesticated horses have been discovered on Flixton Island—perhaps their last stand? Mobility across a forested, watery landscape becomes apparent by looking at the lithic (flint) distribution and operational chains, from sourcing the raw material, knapping reduction strategies, caching-curation, re-usage and discard behaviours. There’s also now evidence for structures* of some sort and repeated returns to the area over generations. Unlike corollaries in southern Scandinavia, linked by Doggerland across what is now the North Sea, only human burials remain entirely elusive at Star Carr—for now.

*Conneller, C. et al. 2012. Substantial settlement in the European Early Mesolithic: new research at Star Carr. ANTIQUITY 86 (334), 1004-1020.

Click to viewIf not left to the elements, perhaps the dead were deposited in the lake, or on islands now denuded, or far “offshore”? Watery places retained significance throughout the prehistoric period—were the many barbed points deposited rather than discarded? Do we even know what we are looking for? Within a few thousand years the North Sea inundation separated Britain from Europe, and a rather different material culture evolved—the so called Late Mesolithic. One can argue for evolution or revolution, but much more research and dating is needed from the post glacial into the Neolithic where communities with very different life-strategies may have co-existed (northern European evidence hints at this).

The exhibition is a once-in-a-generation chance to see the most comprehensive and intimate story about our earliest post-glacial ancestors. People just like us, and yet so different. Or perhaps not? How many of our “instinctive” behaviours today bear testament to our hunter-gatherer-fisher past? Maybe we just live longer and refined the BBQ experience? I promise a review when I have seen it.

Archives

Also coinciding with the exhibition, the Archaeology Data Service (ADS) in York have published the online Star Carr Archive, funded by English Heritage, “with the primary aims of locating and cataloguing as many of the finds and excavation records as possible in order to enable further research”.

“Moore’s paper archive is missing. There is no known paper archive from Clark’s excavations and it is thought that all records must have been destroyed once the monograph (Clark 1954) had been published.”

Inevitably over the last 60 years, and more so with the separation of many of the written records, artefacts and ecofacts, some materials have been lost or misplaced. This initiative identifies, records and consolidates what remains into a single report.

Recent Press Coverage

Image top | Courtesy University of York

Teesside Archaeological Society | eNews | Feb 2013

The latest edition is out—packed with news and events!

  • ElwickEditorial Review
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  • Site Notes | Star Carr team February newsletter | Anglo-Saxons in York | Escrick Ring mystery
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